The statue, Zerchi was dismayed to notice, bore a marked similarity to some of the most effeminate images by which mediocre, or worse than mediocre, artists had traditionally misrepresented the personality of Christ. The sweet-sick face, blank eyes, simpering lips, and arms spread wide in a gesture of embrace. The hips were broad as a woman's, and the chest hinted at breasts—unless those were only folds in the cloak. Dear Lord of Golgotha, Abbot Zerchi breathed, is that all the rabble imagine You to be? He could with effort imagine the statue saying: "Suffer the little children to come unto me," but he could not imagine it saying: "Depart from me into everlasting fire, accursed ones," or flogging the money-changers out of the temple.

—Walter Miller, A Canticle for Leibowitz