Dalí's rediscovered Catholicism had yet to produce the fruit of humility. "Now the new era of mystic painting," the Mystical Manifesto concludes, "begins with me." He took his own name to mean he was the "savior" of painting.
—Matthew J. Milliner, "Chagall's Cathedral," in Cameron Anderson ed., God in the Modern Wing
"Be like Mike," the Gatorade slogan promises. If you replenish your lost bodily fluids with their greenish slime, you will not only be drinking Michael Jordan's brand but will be participating in his majesty. This is what we have for the Eucharist.
—James B. Twitchell, Adcult: The Triumph of Advertising in American Culture
What advertising does, and how it does it, has little to do with the movement of specific goods. Like religion, which has little to do with the actual delivery of salvation in the next world but everything to do with the ordering of life in this one, commercial speech has little to do with material objects per se but everything to do with how we perceive them.
—James B. Twitchell, Adcult: The Triumph of Advertising in American Culture
Death with dignity normally is not thought to be secured simply by allowing to die: It must be imposed, even enforced, by imposing that strange "right" to die; in other words, by mercy killing. Do we not like the word killing? Unless it is just the sound we do not like, we dare not swallow the surrogates "right to die" and "death with dignity." If it is the thing in itself that we do not like, namely the killing of patients by their healthcare professionals, we must relentlessly expose the sugary words intended to help the "medicine," that deadly draft, go down.
—R. C. Sproul, Playing God
A man, the wise have always insisted, should look with reverence but not with wonder on himself. Rousseau boasts that if not better than other men, he is at least different. By this gloating sense of his own otherwiseness he may be said to have set the tone for a whole epoch. Chateaubriand, for instance, is quite overcome by his own uniqueness and wonderfulness. At the most ordinary happenings he exclaims, as Sainte-Beuve points out, that such things happen only to him. Hugo again is positively stupefied at the immensity of his own genius. The theatricality that one feels in so much of the art of this period arises from the eagerness of the genius to communicate to others something of the amazement that he feels at himself.
—Irving Babbitt, Rousseau and Romanticism
All the Axial religions, including ancient philosophical schools such as Stoicism and Confucianism, affirm the necessity of regulating desire in order to live in accord with nature—both with our bodies and with the whole of creation. Enlightenment progressivism, in contrast, objectifies nature as a force to be controlled. Control. That is the cornerstone of Sanger's ideology. This is not control over our passions and destructive desires, an ideal Sanger calls "an absurdity". This is control over biology, over nature herself. Sanger's vision of progress is an inversion of ancient wisdom. Rather than curbing our will to live in harmony with nature, we contort nature to unleash our will.
—Abigail Favale, The Genesis of Gender
The year before that, elsewhere in the pines, one man alone set sixty-nine fires. He was, at the time, a policeman in a town on the edge of the woods. After his actions became known, he was described by surprised neighbors as "a good family man" and "a nice guy." He himself "discovered" and reported all sixty-nine fires, usually calling them in on the police radio, and when he had been placed under arrest he couldn't explain why he had felt compelled to set the woods ablaze.
—John McPhee, The Pine Barrens