I have often noticed in the United States that it is not easy to make a man understand that his presence may be dispensed with; hints will not always suffice to shake him off. I contradict an American at every word he says, to show him that his conversation bores me; he instantly labors with fresh pertinacity to convince me; I preserve a dogged silence, and he thinks I am meditating deeply on the truths that he is uttering; at last I rush from his company, and he supposes that some urgent business hurries me elsewhere. The man will never understand that he wearies me to death unless I tell him so, and the only way to get rid of him is to make him my enemy for life.
—Alexis de Tocqueville, Democracy in America
I love artists and creative people. They make me crazy, but they're rarely boring. When they do get boring, it's because they are working on something they are so passionate about that they become obsessive. An artist caught up in an idea is like an eighteen-wheeler stuck in the sand, just grinding its wheels over and over. It can go on for months! But even when they are boring this way, it is fascinating because being passionate and obsessive is still an intense way of being alive and present to the beauty and complexity of life. When you're around artists, you are around people who are definitely living life to the fullest. Even their despair is gritty and real and fully committed, and I always feel like I'm living that line from the transfiguration scene in the Gospel: "How good it is for us to be here!"
—Barbara Nicolosi, "The Artist", in David Taylor ed., For the Beauty of the Church
"But is it not the deepest Law of nature that she remain constant?" cries an illuminated class: "Is not the machine of the universe fixed to move by unalterable rules?" Probable enough, good friends; nay, I too must believe that the God, whom ancient, inspired men assert to be "without variableness or shadow of turning," does indeed never change; that Nature, that the Universe, which no one whom it so pleases can be prevented from calling a Machine, does move by the most unalterable rules. And now of you too I make the old inquiry: What those same unalterable rules, forming the complete Status-Book of Nature, may possibly be?
They stand written in our Works of Science, say you; in the accumulated records of man's Experience?—Was man with his Experience present at the Creation, then, to see how it all went on? Have any deepest scientific individuals yet dived down to the foundation of the Universe, and gauged every thing there? Did the Maker take them into his counsel; that they read His ground-plan of the incomprehensible All; and can say, This stands marked therein, and no more than this? Alas, not in anywise! These scientific individuals have been nowhere but where we also are; have seen some handbreadths deeper than we see into the Deep that is infinite, without bottom as without shore.
—Thomas Carlyle, Sartor Resartus
In order to discover the rules of association that are most suitable to nations, a superior intelligence would be necessary who could see all the passions of men without experiencing any one of them; who would have no affinity with our nature and yet know it thoroughly; whose happiness would not depend on us, and who would nevertheless be quite willing to interest himself in ours; and, lastly, one who, storing up for himself with the progress of time a far-off glory in the future, could labor in one age and enjoy in another. Gods would be necessary to give laws to men.
—Jean-Jacques Rousseau, The Social Contract
What sort of freak then is man! How novel, how monstrous, how chaotic, how paradoxical, how prodigious! Judge of all things, feeble earthworm, repository of truth, sink of doubt and error, glory and refuse of the universe! Know then, proud man, what a paradox you are to yourself. Be humble, impotent reason! Be silent, feeble nature! Learn that man infinitely transcends man, hear from your master your true condition, which is unknown to you. Listen to God.
—Blaise Pascal, Thoughts