So it was with the new generation of architects by the late 1940s. There was no circumstance under which a client could have prevailed upon them to incorporate hipped roofs or Italianate cornices or broken pediments or fluted columns or eyebrow lintels or any of the rest of the bourgeois baggage into their designs. Try as they might, they could not make the drafting pencil describe such forms.

—Tom Wolfe, From Bauhaus to Our House